Eloy de la Iglesia

Eloy de la Iglesia

De la Iglesia was an outspoken gay socialist filmmaker who is relatively unknown outside Spain despite a prolific and successful career in his native country. He is best remembered for having portrayed urban marginality and the world of drugs and juvenile delinquency in the early 1980s. Part of his work is closely related to the phenomenon popularly known in Spain as quinqui films, to which he contributed with several works. His film are an example of commitment to the immediate reality. They were made with honesty and great risk, against the conformist outlook of most movies of its time. Beyond their debatable aesthetic merits, his film served a document of the Spanish marginality of the late seventies and early eighties, and they have the stamp of his strong personality. Many of this films also deal with the theme of homosexuality.

Confessions of a Congressman - PulpMovies
Overdose - PulpMovies
El Pico 2 - PulpMovies
The Week of the Killer - PulpMovies
Navajeros - PulpMovies
The Creature - PulpMovies
The Glass Ceiling - PulpMovies
The Tobacconist of Vallecas - PulpMovies
Pals - PulpMovies
The Minister's Wife - PulpMovies
Bulgarian Lovers - PulpMovies
The Priest - PulpMovies
Hidden Pleasures - PulpMovies
Afraid to Go Out at Night - PulpMovies
No One Heard the Scream - PulpMovies
Turn of the Screw - PulpMovies
Forbidden Love Game - PulpMovies
Cuadrilátero - PulpMovies
Murder in a Blue World - PulpMovies
Something Bitter in the Mouth - PulpMovies
Fantasía... 3 - PulpMovies
La otra alcoba - PulpMovies
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