Keisuke Kinoshita

Keisuke Kinoshita

Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. He refused to be bound by genre, technique, or dogma. Kinoshita excelled in almost every genre: comedy, tragedy, social dramas, period films. He shot all films on location or in a one-house set. He pursued severe photographic realism with the long take, long-shot method, and went equally far toward stylization with fast cutting, intricate wipes, tilted cameras, and even classical scroll-painting and Kabuki stage technique. Kinoshita was highly prolific, turning out some 42 films in the first 23 years of his career. For this, Kinoshita explained that he "can’t help it. Ideas for films have always just popped into my head like scraps of paper into a wastebasket." While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Although few concrete details have emerged about Kinoshita's personal life, his homosexuality was widely known in the film world. Screenwriter and frequent collaborator Yoshio Shirasaka recalls the "brilliant scene" Kinoshita made with the handsome, well-dressed assistant directors he surrounded himself with. His 1959 film Farewell to Spring (Sekishuncho) has been called "Japan's first gay film" for the emotional intensity depicted between its male characters. Kinoshita received the Order of the Rising Sun in 1984 and was awarded the Order of Culture in 1991 by the Japanese government. He died on December 30, 1998, of a stroke. His grave is in Engaku-ji in Kamakura, very near to that of his fellow Shochiku director, Yasujirō Ozu.

The Ballad of Narayama - PulpMovies
Carmen Comes Home - PulpMovies
Twenty-Four Eyes - PulpMovies
A Japanese Tragedy - PulpMovies
The River Fuefuki - PulpMovies
Farewell to Dream - PulpMovies
Yotsuya Ghost Story Part 1 - PulpMovies
Oh, My Son! - PulpMovies
Sing, Young People - PulpMovies
This Year's Love - PulpMovies
Army - PulpMovies
A Legend, or Was It? - PulpMovies
Carmen's Innocent Love - PulpMovies
Immortal Love - PulpMovies
She Was Like a Wild Chrysanthemum - PulpMovies
The Snow Flurry - PulpMovies
Jubilation Street - PulpMovies
The Scent of Incense - PulpMovies
Yotsuya Ghost Story Part 2 - PulpMovies
The Tattered Wings - PulpMovies
Port of Flowers - PulpMovies
Farewell to Spring - PulpMovies
Father - PulpMovies
Apostasy - PulpMovies
Morning for the Osone Family - PulpMovies
Here's to the Young Lady - PulpMovies
The Rose on His Arm - PulpMovies
Boyhood - PulpMovies
Broken Drum - PulpMovies
Times of Joy and Sorrow - PulpMovies
Phoenix - PulpMovies
Love and Separation in Sri Lanka - PulpMovies
Wedding Ring - PulpMovies
Children of Nagasaki - PulpMovies
Marriage - PulpMovies
Spring Dreams - PulpMovies
Big Joys, Small Sorrows - PulpMovies
Woman - PulpMovies
The Portrait - PulpMovies
Danger Stalks Near - PulpMovies
The Good Fairy - PulpMovies
Fireworks Over the Sea - PulpMovies
The Living Magoroku - PulpMovies
Ballad of a Workman - PulpMovies
The Garden of Women - PulpMovies
Eyes, the Sea and a Ball - PulpMovies
The Young Rebels - PulpMovies
Thus Another Day - PulpMovies
The Eternal Rainbow - PulpMovies
The Girl I Loved - PulpMovies
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