Rex Ingram

Rex Ingram

Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.

The Four Horsemen of the Apocalypse - PulpMovies
Scaramouche - PulpMovies
The Prisoner of Zenda - PulpMovies
The Conquering Power - PulpMovies
The Magician - PulpMovies
Mare Nostrum - PulpMovies
The Three Passions - PulpMovies
Where the Pavement Ends - PulpMovies
The Reward of the Faithless - PulpMovies
Baroud - PulpMovies
Broken Fetters - PulpMovies
The Arab - PulpMovies
The Garden of Allah - PulpMovies
Trifling Women - PulpMovies
The Pulse of Life - PulpMovies
The Day She Paid - PulpMovies
Black Orchids - PulpMovies
Turn to the Right - PulpMovies
Under Crimson Skies - PulpMovies
The Chalice of Sorrow - PulpMovies
Baroud - PulpMovies
Shore Acres - PulpMovies
Hearts Are Trumps - PulpMovies
The Flower of Doom - PulpMovies
The Little Terror - PulpMovies
The Great Problem - PulpMovies
Humdrum Brown - PulpMovies
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